Difficult listening music
I have just had the displeasure of attending an (otherwise pleasant) orchestra performance which contained the 28 minutes of cacophony known as “Apotheosis of this Earth” by Karel Husa. This composition is meant to express the composers displeasure with the terrible way in which man was / is treating the planet earth. It included a number of unusual devices such as instruments playing quarter stepped notes to be deliberately out of tune with others instruments, and sections of the score which direct to play some unspecified notes for a certain amount of time. These devices seemed to be most often realized at high pitches and high volumes which frequently became physically painful to listen to. It did not help matters that it was being performed in a relatively small “recital hall” space and not a large concert hall which may have been better able to handle the intense sound levels. While I do appreciate the technical skill involved in composing 28 minutes of music while completely avoiding anything resembling conventional musical melodies and maintaining a continuously difficult listening experience for the audience for the entire time, as a member of the audience I found it to be a (not surprisingly) somewhat unpleasant experience. Before the music began I had high hopes for something interesting as they brought out 2 marimbas, 2 glockenspiel, 2 xylophones, 2 gongs, tom toms and a set of concert bells, but alas that was before I knew they would be used for evil instead of for good. I could see how this piece would make a very interesting soundtrack for a movie of some kind, maybe an avant-garde art film, or even creatively used for a space science fiction, but it was not well suited as a concert piece. One kind of cool thing I enjoyed was when sections of the orchestra would speak the words “this beautiful earth” in quiet breathy voices during lulls in the noise, but that might have also been due to the momentary pause in the loud cacophonous discord. The conductor stated that this was a piece you would not often hear in a concert, alas he apparently did understand why that was.
For B…
B asked me the other day to mention his dad’s blog sometime, so of course I will do so. Observe the Banana. It’s part of the tapestry here in little ol’ Morris. Aries: Look. The reason for your headaches……
Trackback on April 24, 2008 @ 6:22 pm
A venturer from Pharyngula here -
I played this piece for my university’s wind ensemble last quarter. If you think listening to the upper reaches of the woodwinds for a half-hour is bad, try doing it for six weeks of rehearsal.. and being a tuba player at the same time. I had to pop a couple of Advil before each attempt.
I suppose it could be a wonderful piece under the correct conditions, but I was not a fan.
Comment on April 24, 2008 @ 8:31 pm
I played it with Symphonic Winds. Let me assure you it was worse to rehearse. I wore earplugs and it still managed to trigger a migraine most days, I often left early, in fact.
I didn’t like the two previous concerts we had, either.
In consolation, the concert we will put on this Sunday has a wonderful and delightful program. Including all of Pomp and Circumstance (Elgar), Incantation and Dance (James Barnes Chance), Trauermusik (Wagner), and Gloriosa (Ito).
Comment on April 24, 2008 @ 9:56 pm
I dunno. Of all the ways for music to be bad, loud and dissonant is way down the list. Loud and boring would have to be near the top; just plain boring is not quite as bad. I would have to say that “ignorant” is a quality I hear in way too much contemporary music, whether popular or concert music, and I would rather listen to Karel Husa than loud, boring, ignorant music any day.
Whaddaya think of Penderecki’s Threnody for the Victims of Hiroshima. or Ligeti’s Sinfonia or Lux Aeterna? They’re all loud and dissonant, but also skillful, interesting, and historically informed. Also, eminently listenable.
Comment on April 24, 2008 @ 10:34 pm
It sounds as if Husa got EXACTLY the reaction he was going for. You wrote: “It did not help matters that it was being performed in a relatively small “recital hall” space and not a large concert hall which may have been better able to handle the intense sound levels.” But if anything, the small concert space probably added to the effect that the composer intended. I don’t think I would be very comfortable sitting through 28 minutes of extremely loud noises either, but it sounds as thought the piece is meant to create a sense of great discomfort. It is, after all, Husa’s reaction to humankind’s treatment of the Earth.
Comment on April 24, 2008 @ 11:33 pm
Blogrolling for Today…
The Echinoblog Observe The Banana Ben Off to Iraq Transient Reporter Being the Chronicles of B……
Trackback on April 25, 2008 @ 11:14 am